a podcast by 2 djs
turned lighting nerds
DJs on a mission to end bad dj lighting
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DJs on a mission to end bad dj lighting 〰️
Lights at Full
This podcast is what happens when two working DJs admit out loud that most DJ lighting is a crime scene. We love music, we love events, and we really love when lighting actually helps instead of looking like a carnival ride had a meltdown.
This podcast is for wedding DJs trying to level up, club DJs doing mobile gigs, and anyone who has ever been handed a pile of fixtures and told, just make it look cool. We break down real design ideas you can use with the gear you already own, show you how to stop repeating the same bad habits, and help your events feel intentional instead of like random button mashing with fog.
Hosted by Brian and Brent, long-time DJs and production nerds with roots in SoundSwitch and Chauvet DJ, the show mixes practical education with slightly unhinged lighting therapy. Expect honest gear talk without the brand fluff, real stories from the field, and our ongoing mission to stop DJs from pointing lasers at grandma. We will be mixing in interviews, hot takes, and the occasional listener lighting disaster for group therapy.
Presets aren't optional. If you're riding faders all night instead of building looks for walk-in, first dance, and walk-out, you're working harder than you need to. This week we break down how to program a room by energy and location, and why the psychology of light matters as much as the gear.
We open with a recap of what we've been up to, then get into Good or Shit and pick apart a few lighting setups.
From there we get into actually programming a room. Energy levels, grouping lights by location and by control, and how to build presets so you're not riding faders all night. Presets are what let you shift the whole feel of a room in one button push, and we talk about how to build them for walk-in, first dance, walk-out, and everything in between.
We also get into the psychology of it. Lighting changes how a room feels before anyone consciously notices why. If you're not thinking about that, you're leaving something on the table.
Corporate events get their own conversation. Different priorities, different rules. The talent and the stage design come first, and your lighting has to serve that instead of competing with it.
Takeaways
Programming a room: energy levels, grouping by location and control
Building presets so you're not riding faders live
Presets for walk-in, first dance, walk-out, and other event phases
How lighting shapes audience psychology without them noticing
Corporate event programming: why talent and stage design come first
Austin Smith joins us to talk lasers. Real ones, not the pointer you had in fourth grade. His beam is visible from 11 miles out, and he's put it into weddings, private events, and major productions.
Austin Smith joins us to talk lasers. Real ones, not the pointer you had in fourth grade. His beam is visible from 11 miles out, and he's put it into weddings, private events, and major productions.
We get into how Austin got here, starting in the Oklahoma City club scene and working up to Coachella, David Guetta, and Jennifer Lopez. He walks us through building custom laser setups for marquee events, what it actually costs to own gear at this level, and why safety and legal compliance aren't optional once you're playing with something this powerful.
FAA rules, laser zones, licensing, and how to actually talk to the authorities who sign off on this stuff. Setup time, cooling systems, safety protocols, and how to mask a laser effect so the audience gets the show without the risk.
Creative side too: projecting a logo, building interactive effects, going outdoor with building mapping. If you're a DJ, producer, or venue owner thinking about adding lasers, this is the episode that tells you what's actually involved before you spend the money.
Takeaways
Austin's path from Oklahoma City clubs to Coachella, David Guetta, and Jennifer Lopez
Building custom laser architecture for marquee events
FAA rules, laser zones, and getting licensed the right way
Setup time, cooling systems, and safety protocols on site
Masking laser effects to keep the show safe for the crowd
Creative applications: logo projection, interactive effects, building mapping
What it costs, in money and knowledge, to own gear at this level
Jordan Chance and Sean Denny from Luxe Productions join us to talk about how they turn a regular venue into something people remember. Where they started, and how they built a reputation for pushing event design further than most companies bother to.
ordan Chance and Sean Denny from Luxe Productions join us to talk about how they turn a regular venue into something people remember. Where they started, and how they built a reputation for pushing event design further than most companies bother to.
We get into their process for taking a basic lighting setup and turning it into something that actually changes the room. How they build proposals that sell the whole experience, not just a gear list. Working with venue staff, vendors, and planners so setup goes smooth even in a hard space.
Site surveys and why skipping them leads to load-in nightmares. Using what's already in your inventory instead of buying your way out of a problem. Why attitude on site matters as much as the gear you brought. Communication, process, and trust with planners and other vendors, and how that trust shows up in the final event.
We also talk budget. How to scale a premium setup down without gutting it, and how to get a client to understand what they're actually paying for.
If you're a DJ, AV pro, or event designer trying to move past basic setups, this one's worth your time.
Follow Jordan and Sean at Luxe Productions:
https://www.luxeproductions.com/ https://www.instagram.com/luxeproevents/?hl=enhttps://www.instagram.com/iamjordanchance/?hl=en https://www.instagram.com/djdenny56/?hl=en
Takeaways
Jordan and Sean's path building Luxe Productions
Turning a basic lighting setup into something that changes the room
Building proposals that sell the full experience, not just equipment
Site surveys, and why skipping them causes load-in problems
Working existing inventory instead of buying your way out of a gap
Trust and communication with planners, decorators, and vendors
Scaling a premium setup to fit a smaller budget without cutting corners
Rigging safety gets skipped by a lot of DJs until something falls. Brent and I get into the mistakes we've seen, and made, and what it actually takes to keep a rig up and a room safe.
This one's for anyone running lights or production, whether it's a small event or a big one.
Rigging safety gets skipped by a lot of DJs until something falls. Brent and I get into the mistakes we've seen, and made, and what it actually takes to keep a rig up and a room safe.
We talk about video walls and why some support setups are a real risk, not just an eyesore. Weighting and supporting stands the right way. Clamps that get ignored, bases that never get weighted, and the idea that a ratchet strap alone is enough. It isn't.
Ground support versus flown rigging, and when each one makes sense. Safety cables. Gear we actually use: MTN Shop shackles, radio truss clamps, truss you can trust. Magnets, T-bars, and C-stands for securing lighting and accessories. Load capacities and tension, and how to check them on every piece of gear before it goes up.
This one's for anyone running lights or production, whether it's a small event or a big one.
Takeaways
Rigging mistakes we've seen and made, and what they cost
Video wall support: what's safe and what's not
Weighting and supporting stands properly, including clamps and bases
Why a ratchet strap alone isn't enough
Ground support versus flown rigging, and when to use each
Safety cables, shackles, truss clamps, and the gear worth trusting
Magnets, T-bars, and C-stands for securing lighting and accessories
Checking load capacity and tension on rigging gear before it goes up
Moving heads. Why you need them and how to pick the right one for your event or gig. We break down wash lights, spotlights, hybrids, and profile fixtures: what each one does, how to program it, and where it actually earns its spot in a room. We get into beams, panels, and bars too, and where event lighting and nightclub lighting split. Programming do's and don'ts. Pan tilt inverse, quadrant programming, the stuff that trips people up.
Moving heads. Why you need them and how to pick the right one for your event or gig. We break down wash lights, spotlights, hybrids, and profile fixtures: what each one does, how to program it, and where it actually earns its spot in a room. We get into beams, panels, and bars too, and where event lighting and nightclub lighting split. Programming do's and don'ts. Pan tilt inverse, quadrant programming, the stuff that trips people up. Then we sign off like idiots and tease next week.
Takeaways
Why moving heads matter and how to pick the right one for the room
Wash lights, spotlights, hybrids, and profile fixtures: what each one is built for
Programming moving lights the right way, including pan tilt inverse and quadrant programming
Using texture and effects from moving lights to make a space feel like something
Lucky number 13! 🎉 We're diving into the journey of our podcast, the highs, the lows, and everything in between.
Lucky number 13! 🎉 We're diving into the journey of our podcast, the highs, the lows, and everything in between.
We committed to 12 episodes, and here we are, ready to bring even more value to you. From spotlighting great guests to sharing insights from our professional lives in event DJing, we’re just getting started!
We appreciate each of you who has tuned in, subscribed, and engaged with us. Your support means the world, and we promise to keep the content flowing!
Follow along for tips, behind-the-scenes stories, and new segments that will keep you informed and entertained.
What’s been your favorite moment so far? Let us know!
Gobo projections: what they are, the different types, and where they actually make sense. Plus the monogram debate... projectors vs. gobos, what the industry is doing, and what's worth your money.
Gobo projections: what they are, the different types, and where they actually make sense. Plus the monogram debate... projectors vs. gobos, what the industry is doing, and what's worth your money.
Boiler Room's ownership is a mess right now, and somewhere in the fallout a set of leaked production guidelines started making the rounds. We break down what's actually in them, front of house, DJ booth, lighting the crowd, and what any of it has to do with charging what you're worth.
We open the show, then get into the controversy around Boiler Room's ownership and why it's got people talking. Somewhere along the way, a set of production guidelines leaked, not from Boiler Room itself, meant to help people produce their own Boiler Room style event. We break down what's actually in there. Front of house and DJ booth setups, lighting the DJ and the artist, lighting the crowd, and ambient and architectural lighting. Some of it's smart, some of it we'd argue with.
We close with what you can actually take from this and use in your own business, including the case for charging what you're worth instead of undercutting yourself to book the gig.
Takeaways
The controversy behind Boiler Room's ownership, and the leaked guidelines for producing your own Boiler Room style event
Front of house and DJ booth setup standards
Lighting the DJ, the artist, and the crowd
Ambient and architectural lighting choices
Charging your worth and growing the business off it